The Abdeslam brothers, with their sudden escalation from dancing in nightclubs to killing in them over the course of a few months, seem to challenge this picture. They also raise a deeper and more troubling question for those seeking to understand the genesis of terrorist acts: What if they were not “radicalized” and underwent no dramatic metamorphosis at all? What if their violence had only the most tenuous connection to what they believed, whatever that was? What if the story of how they came to be involved in terrorism had no real coherent narrative arc? What if the script of terrorism doesn’t always feature the drama of radicalization?
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