The film itself uses all the themes of "classical" anti-Semitism, with a modern twist. It is based on interviews with Shlomo Sand, author of The Invention of the Jewish People, and Thierry Meyssan, who wrote 9/11: The Big Lie, a book explaining that the September 11 terrorist attacks were organized by the CIA and Israel's Mossad. The film's director, Beatrice Pignede, had previously made â??â??the film Snapping up the Memory, glorifying the Holocaust denier Robert Faurisson, and she participated in the Fars film festival in Tehran in 2012.
The film was announced in various mainstream magazines as an "important event." It was not released because Jewish organizations threatened to picket movie theaters. It is available, however, on many websites, and has been widely circulated. Beatrice Pignede said she was a "victim of the Jewish lobby" and that the "fate" of her film is "proof" of what she wants to denounce.
To say that the majority of the French population is anti-Semitic would be going too far. Polls show that a favorite public figure this year is popular Jewish singer Jean-Jacques Goldman. But it is clear that anti-Semitism is rapidly gaining ground in France. It is clear there is a real trivialization of anti-Semitism that goes way beyond some ugly sentences uttered by a standup comedian during a prime time TV talk show.
A few years ago, anti-Semitism in France was still hiding behind the mask of "anti-Zionism" and hostility to Israel. It is still true, but more often now, the targets are the Jews themselves, and the mask of "anti-Zionism" has fallen away.
In a recently published book, Demonizing Israel and the Jews, Manfred Gerstenfeld explains that what happens in France is happening all over Europe. "Polls show," he wrote," that well over 100 million Europeans embrace a satanic view of the State of Israel (...) This current widespread...view is obviously a new mutation of the diabolical beliefs about Jews which many held in the Middle Ages, and those more recently promoted by the Nazis and their allies."
Seven decades after Auschwitz, the oldest hatred is slowly regaining its place on the continent, and it is no laughing matter.
