It could have been Dubai's unofficial entry in the Berlin International Film Festival: A 27-minute reality thriller, edited from footage shot with two dozen surveillance cameras, with constantly shifting settings, close-ups and freeze frames, with subtitles artfully entering the frame from the edge and colorful hand-drawn circles à la Jean-Luc Godard. It was also a film that was significantly more suspenseful than most of the other entries in this year's festival.
Read Full Article »
