didn’t fully realise how much Brexit Derangement Syndrome – the reaction to being on the losing side in the 2016 referendum – had got hold of even people I loved until I complained to a friend that my 2018 play People Like Us (co-written with Jane Robins, who had been asked to leave her North London book group for liking a pro-Brexit Spectator column of mine on Facebook) would close in the small London theatre where it had played for six weeks.
Read Full Article »